
By Kerrie Pacholli
For more information & bookings ; Understand the Method workshop
I am not an actor, professional or otherwise nor aspire to become one. None-the-less tonight I found myself attending the first night of Peter Kalos’s weekend long acting workshop Understand the Method at the Alex Theatre.
I first met Peter Kalos a few short months ago while working with colleagues who set up shop within the Alex Theatre arts hub. I was instantly refreshed by Peter’s presence and his desire for honest connection and to cut to the chase. This I like. Among my endeavours, I create media content and as he had not long moved his acting school Actor’s Lab and theatre company Lab Theatre into the Alex, this is exactly what he wanted. We immediately had a common thread.
A couple of days later he seized the opportunity and invited me into one of his method acting classes being held in Theatre One, the biggest theatre. There were about 30 of his students draped around the theatre in various configurations. Peter was feverishly pacing up and down the aisle continuously guiding his devoted congregation. They had their eyes shut and appeared to be in their own zones. They were to enact his seemingly random and often contrary suggested scenarios. He quickly ran up the aisle to where myself and a colleague were observing and eyeballing me, a few inches from my face, said ‘watch this’. With a particularly emotive suggestion the sound of authentic and hysterical wailing women and men started filling the room. He turned to us and winked. I felt the goose bumps and immediately saw the potential of a reality show on the drawing board. I thought this guy is an ultimate trip master.
Some say the mark of a true creative is to have the ability to inspire others. Peter is a true creative.
“All the world’s a stage and all the men and women merely players.” Act-II, Scene-VII of the play As You Like It by William Shakespeare. Never truer words.
So tonight we had a similar scenario going on but in a different studio setting with the same dedication and iron clad resolve from the 20 plus students. Eyes shut, in the zone. I started doing what I do, which is welding the camera, spying on others doing what they do. I’m watching these individuals being guided to other dimensions. All the time Peter was fuelling this collective flight with his seemingly irresistible words. The allure got the better of me and I put the camera down and joined the multiverse. We were even guided to the moon at one point.
What is fuelling this incredible communion? I am not entirely sure but tonight Peter shared some very interesting stories about his personal experiences with the likes of Leonardo DiCaprio as a cameraman during the auditions for Gilbert Grape in LA, and what he witnessed on the set between Robert de Niro and Sharon Stone during the filming of Casino. Gripping and tantalising stories which are seemingly never ending.
Peter Kalos knows his business, every which way and is gifted with an insatiable ability to share it with his students. All are welcome to come along to experience the extraordinary world of Method Acting.
For more information & bookings ; Understand the Method workshop

As a follow up to my last article, “Threatening A House With A History“, there have been some fearful updates not to mention a potential demolition derby. The developer Nick McKimm’s representative recently requested an adjournment at VCAT to represent amendments for the development of 1-5 Tiuna Grove, Elwood into a monolith of 19 apartments. So, apparently to stay within the guidelines of No. 3 and No. 5’s interim heritage overlay the new plans are to be presented at VCAT later this year.
In particular, the destruction of the rest of the No. 3 dwelling conflicts with the Heritage requirements surely? The former dining room, has always been known as ‘The Red Room” since the early 20s, it has been painted over white during the intervening years but was faithfully restored to its original colour in the mid-90s under the then lessee, well-known playwright Julia Britton. It has now recently been repainted over again (yes, in white), most likely to make it more conservative and/or more saleable to buyers by recent owners. This precious room has nurtured, created and played host to many historical and cultural events over the last hundred years. Too numerous to mention. From discussions about the current political scene, war, to art and painting, to theatre, to filmmaking and radio, to poetry and was a room that magically inspired and bore many famous stage plays, films, music and art throughout the 90s and 00s. It became a legendary room amongst the Melbourne artistic community. Designed beautifully by the architects Richardson & Wood in c. 1912 (dates vary to 1917) in a mock Tudor style highlighted with wooden beams and stunning panelling, this room needs to be preserved.
At the exterior, ajoing The Red Room’s large bay window, it features an authentic verandah in which the famous artist Mirka Mora and Britton once sat together, one afternoon, in blue deck chairs, nibbling green grapes and sipping from small bottles of soda water. Many years later the legendary La Mama Theatre staged an extraordinary open air theatre production entitled “The Murderer’s Barbeque” in the rear garden of No. 3 for the Elwood residents and the general public to see. And did they see. The seven performances were entirely packed out – even during a thunderstorm and downpour one particular evening. The production garnered a number of award nominations for its actor and its genesis at No. 3. This authentic, untouched Australian back







Alan McElroy was an exuberant host and first act, tempting audience members to the front row by way of Skittles.
Review by Kerrie Pacholli

I was taken to a sacred ethereal epicenter of female energy where continuous explosions of power reside and were channeled to ignite, create, transform and transcend. Can be scary for some…







