Tag Archives: Robert Mate Mate

The Art & Soul of it

Painting by Richard Morrison
Painting by Richard Morrison with Jim Lee

Text & images by Kerrie Pacholli

St Kilda, considered the jewel of Port Phillip, has always been synonymous with multi-layered cultures, music, theatre, art and artists.

However, along the way St Kilda lost its ability to attract and nurture its rising creatives.

St Kilda was cleaned up. Became gentrified.  The toilet block at the well known indigenous meeting place ‘Koori Park’ was torn down and the the tribe was forced to scatter. Property prices skyrocketed and financial and property investors reigned supreme.  The local council became one of the richest in Melbourne and the well-to-do believed they held the key to St Kilda’s rising prosperity and glory.

Today when one takes a stroll down the sunset side of Fitzroy Street you got to wonder WTF happened?  Bucket loads of taxpayer’s money has been spent on road infrastructure to accommodate the projected masses flooding into St Kilda as a result of the clean up and  gentrification and yes parking, car manoeuvrability  and business has been severely impeded.

Regardless of its unique and beautiful seascape, St Kilda has became known as a bi-law trap, whether on the roads or in the venues where noise is policed to what many consider unreasonable and unrealistic proportions.  Without doubt many performing artists and the businesses that accommodated them have little reason to feel confident in being facilitated to reach full potential.

Singer / songwriter Lisa Wood
Singer / songwriter Lisa Wood part of “Tribute to Women” at St Luja 

A number of years ago local creatives with countercultural persuasions, living and working in St Kilda, started to look at ways to do their bit to save St Kilda’s diverse cultural expression and keep the streets alive and pumping. These guys were not property owners, nor did they have ties to local council or government. They battled along with their personal desires, inspirations and imaginations.  Eventually a move was made to activate their collective visions and The St Kilda Arts Community was formed.

Espy 2017 St Kilda Comedy Club was reborn
Espy and the St Kilda Comedy Club was reborn. Cj Fortuna, Andrew Goodone, Brad Oakes & Dave O’Neil.

Its founding members were remaining creatives working in isolated pockets throughout St Kilda who came together for the greater good. A new collective movement was ignited and the first St Kilda Art Crawl  happened, followed by two more.

The Victorian Minister for the Arts was approached by representatives of this newly formed Arts Community and unquestioningly acknowledged the need and potential on offer and gave his official thumbs up. Local council also followed suit with some practical and moral support.  The Alex Theatre and the not yet refurbished Espy opened its doors and rallied with moral and practical support, Slowly the local business owners, who were somewhat fiscally strained, started to take note although at first non-committal and wary. Many local artists and galleries on the other hand were given renewed enthusiasm, sensing the energy shift and the potential that comes with it.

Simon Barnett, Martin Foley & Mick Pacholli
Simon Barnett, Martin Foley & Mick Pacholli 

A collective vibe throughout the arts community started to rise and ‘art happenings’ in the lesser known art hubs in St Kilda started to be acknowledged and illuminated by the Arts Community for their efforts.

The thing is, artists are workers who deserve a decent income. Their creative and artistic enterprises deserve to be held in high esteem and celebrated.  History shows this is what nourishes community.

Robert Mate Mate performing Theatreworks 1992
Robert Mate Mate performing at Theatreworks 1992 image by Russell Cooper.

To quote Robert Mate Mate, a much loved friend who passed on many years ago…

“Politics breeds combat ability whereas art and culture breeds compatibility.”

The choice is ours.

Eco Centre’s Neil Blake OAM, Baykeeper of the Watch

In 1992 Robert Mate Mate, a dear friend and creative collaborator introduced me to Neil Blake as the Penguin Man. At that time Neil devoted a big chunk of energy studying and protecting the Port Phillip Penguins that come to roost every night at the end of St Kilda Pier.

As Robert Mate Mate was an Aboriginal from Woorrabinda I naturally believed that Neil was also Aboriginal because of his exceptionally long white beard.  I was later to learn from Robert, who was a tribal elder, storyteller, anthropologist, historian and all-round magic guy, that the ‘Old People’ believed all people born to this land are indigenous and part of the ‘Old People’s’ ancestry; and that when the first Aborigines saw white people they saw ancestors from another dimension. I still find that a head spinner.

Neil has proven to be one of the most dedicated, inspiring and resilient ecological freedom fighters I have had the privilege to meet.  To this day Neil has his long white beard and is hard at it working the Eco Centre in St Kilda, Werribee Riverkeeper, Melbourne’s Western Waterways and Yarra Riverkeeper to name a few of his many projects and involvements. I asked Neil a few questions.

Why have parts of St Kilda’s business community been withering on the vine?

It’s important to recognise that the withering vines are not just in St Kilda, as many property owners across Melbourne leave their premises empty rather than accepting low rents at the true market value. As this financial conundrum is difficult for everyday people to fathom, there is a tendency to lay blame on more visible factors…. a popular sport across the ages.

J.B  Cooper’s ‘History of St Kilda’ recalls (in the 1880’s) “newspapers urged the police to visit the bay line from the Esplanade to the Red Bluff, where several tents were occupied by an undesirable class. Sly grog selling, it was said, was going on in the tents.  The vicinity of the tents was strewn with broken bottles. These vagabonds along the seashore had changed what was once a beautiful walk into a scene of desolation.”

Tell that to the Yalukut Weelam clan of the Boon Wurrung who for tens of thousands of years respected and maintained that “beautiful walk”.  They harvested shellfish at Point Ormond, but not in the spawning season, so the next harvest would be a good one. The notion of restricting consumption was a foreign concept to the European colonists who, apart from the undesirable classes, were allowed to exploit the environment wherever and whenever they could.

Speaking of Fitzroy Street, Cooper tells us “….it has a dash of his (Sir Charles Fitzroy’s) pleasure-loving vice regal spirit. Sir Charles was… a gentleman whose hospitality extends over a wide circle of friends… as good a judge of Claret and Burgundy as you’ll find in the Colony.” His spirit seemed to have permeated through to the 1990’s when a St Kilda Mayor remarked at the funeral of a well-known street drunk: “He was noisy and looked scary, but those who got to know him found him quite intelligent but unhinged from his time in Vietnam. You know, if he was in Doncaster instead of St Kilda… he would have been locked up!”

In 1835, the Yalukit Weelam were caught between the reef and a hard place with the arrival of Europeans, their millions of sheep, and their guns. In 1985, the remnants of red sandstone they used to grind seed and stone gradually disappeared from St Kilda south beach by the mechanical beach rakes introduced to solve the daily tide of plastic trash.

Everything in nature must reinvent itself some time… we call it evolution.

How can the local community reinvigorate the rebirth cycle of street life?

In early St Kilda, the land south of Fitzroy Street was known as the ‘wattle paddock’, populated by an open bush of Banksia, Acacia, and Red Gum trees. The elevated land of St Kilda hill and adjacent low lying wetlands (Elwood swamp and Albert Park lagoon) offered a rich landscape to support the diversity of local fauna. They all had a role to play and were at home in that place and happy to stay. But their diversity diminished as swamp was reclaimed; and trees, grasses and wildflower habitats were lost to classy mansions and the stylish new seaside resort of St Kilda. The natural estate became the real estate, which became the unreal estate of today.

By the 1970s, the splendour was in decline with Victorian and Edwardian housing stock in serious need of repair. The upside was that the lower rents attracted a wide range of artists who, in the absence of regular income, managed to thrive on the bohemian atmosphere. The seaside and sunsets across the water grace each day…. and all roads (and public transport) from the northeast and south lead to St Kilda.

Since the industrial revolution, the pace of change continues to escalate due to global population growth, increased consumption and modification of natural resources. For at least the past 50 years climate change (in total contempt of the deniers) has been steadily disrupting and displacing third world populations while ‘first world’ peoples nervously tighten their grip on their comfort zone.

The small fish that come into the Cowderoy Street outfall on the high tide know, that’s when the water’s too deep for the Night Herons to prowl; and they stick together to celebrate another day.

Text & image by Kerrie Pacholli © pationpics.com

Robert Mate Mate and Reconciliation

For a number of years  I had the privilege of working  with Robert Mate Mate, an Indigenous elder from Woorabinda with strong connections to Palm Island.

Our creative journey started in 1993 when Robert invited me to accompany him to Palm Island,  a closed Indigenous community 57 km off the coast of Townsville.

He was invited to attend an official celebration on Palm Island for the Year of Reconciliation which was also attended by Robert Tickner the Indigenous Affairs minister at that time.

Behind the scenes Robert Mate Mate was also invited to perform a spirit releasing ceremony for a young Palm Islander named Wangung who died 120 years prior. and who’s remains had been returned to his place of birth.

In the 1890’s Wangung was lured away  and made to perform in a travelling circus. His remains were discovered in Cleveland, Ohio.

Our party consisted of Robert, myself, his 11 year old son Free and Dalmazio Babare who was then percussionist with the MSO. We stayed on the beach of Mundi Bay, a remote and uninhabited part of the Island where Wangung grew up.  It was a magnificent and powerful place and the experience was very transformative.

In 1994 – 95 under the working title “Woorabinda Berrigaba Dreamtime Aboriginal Productions”, Robert and I went on to produced three cultural theatre productions that combined story telling and myths with music and dance.

A number of  years prior to 1993,  Robert Mate Mate was released from prison where he had spent over 15 years behind bars, 10 years in the cages of Queensland’[s notorious Boggo Road prison. 

During his incarceration the Aboriginal myths and stories he learnt as a child led him to  study genealogy, Greek mythology, Druidism,  Astronomy, Carl Jung and the Bible.

At the end of his life aged 42, Robert Mate Mate was an accomplished  storyteller, teacher and messenger with an enormous capacity to inspire and educate people from all cultures.

In memory and celebration of Robert Mate Mate also know as Gapingaru (crescent moon).

Robert Mate Mate at Theatre Works in St Kilda as part of his first theatre production 'Tirlpa'. Photo by Russell Cooper
Robert Mate Mate at Theatre Works in St Kilda as part of his first theatre production ‘Tirlpa’. Photo by Russell Cooper.