All posts by Kerrie Pacholli

White Cloud: Tim Finn – descending over Arts Centre Melbourne this summer

By Tim Finn and Ken Duncum with film by Sue Healey

“Salvage something that we need to remember From the wreck of history
Family images of fading splendour
Where they lead I’m following…”

– Tim Finn, White Cloud

Tim Finn, legendary New Zealand singer-songwriter, member of Crowded House and founding member of Split Enz, will perform White Cloud – a musing meditative performance about family, identity and home – this January at Arts Centre Melbourne.

White Cloud alchemises observation and contemplation, photographs and journals, narrative and music to deliver a potent celebration of family, ancestry and what it means to be Pakeha (a Māori language term for New Zealanders who are of European descent).

Through songs and stories, Tim introduces us to family members past and present, whose voices echo through journals, letters and memoirs – matched by dreamlike imagery drawn from 8mm home movies shot largely by his father, Richard Finn.

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An inspired collaboration between Finn, leading New Zealand playwright/screenwriter Ken Duncum and video artist Sue Healey, White Cloud has moved audiences and critics alike in New Zealand, Australia, Ireland and the UK.

“We always envisaged White Cloud as an immersive experience, not a narrative in the traditional sense. More a series of impressions of people, places and our family backgrounds, which together tell a larger story,” explains Duncum.

A richly textured blend of beautifully melodic music and poetically evocative prose brought to life in the intimate confines of the Fairfax Studio, this inventive reflection on the lives of families growing up in New Zealand, loosening ties to the UK and encountering Maori culture is not to be missed.

Arts Centre Melbourne presents
White Cloud: Tim Finn
Arts Centre Melbourne, Fairfax Studio
13 – 15 January, 2017

Bookings: artscentremelbourne.com.au

Forbid Yourself Nothing by artist Benjamin Box

Melbourne based artist, writer and free verse poet Benjamin Box is an anathema. Or at least that’s what he believes his latest art buyer thinks of him.

After commissioning his latest work: ‘Forbid Yourself Nothing.’, a large size spray paint and acrylic on canvass; the buyer in question: …”ran for the hills upon completion of the work and didn’t even have the manners to sling me a modest materials fee.”

I thought it may have been a case of sour grapes until Ben showed me the two ‘test prints’ or ‘studies’ he’d sent the buyer before commencing the final picture.

“There’s a special place in hell for buyers like that.” he informed me.

Not only did this buyer refuse to return his phone calls or honour their ‘gentleman’s handshake agreement’, she also blocked him from all her social media.

“It was a blow to my confidence sure, but the fact that this particular person didn’t like my painting lets me know that I’m on the right track.” he responded.

talks about. Forbid Yourself Nothing by artist Benjamin Box. image © Kerrie Pacholli
Forbid Yourself Nothing by artist Benjamin Box. image © Kerrie Pacholli

Educated at Caulfield Grammar and RMIT, Benjamin has led an unusual life. A 12 year veteran of the advertising industry as a copywriter that took him to Singapore and New York, he’s had a series of unusual jobs since. His most recent employment was as a litter-bin collector/truck jockey (or garbo) for the Port Phillip Council. This gave him his afternoons to paint, as his hours were 5.30am to 12.30pm.

Benjamin’s time at the council led him to become an avid collector of recycled canvasses. “Many canvasses I find, I just paint over the top of whatever’s on them – I’m one garbo that’s taking out the trash of the art world” he mused.

“After feeling like an ideas machine on the blink, I exited advertising like a falling meteorite only to crash-land hard on the hazy art world.” On this ‘hazy art-world’, he’s held a weekly residency at a St Kilda nightspot “…preaching and caterwauling my tortured & feverish words”. “It was a good discipline for me, I had to write something good enough to perform every week.”

He’s recently teamed up with a musician of some note that “at this stage must remain nameless” for a spoken word project. The short snippets I was permitted to hear worked well. The haunting drone of his mystery musician’s moody, movie-score style music compliments Ben’s dry voice and darkly ironic lyrics. To be launched in “the next few months”, the ‘working title’ is: “And that’s what he said”. I recommend that you look out for their debut gigs.

Like many artists, Ben prefers not to overtly talk about or post justify his work (“show, don’t tell” is one of his mantras). However, I did manage to cajole this from him on his most recent painting titled ‘Forbid Yourself Nothing.’

“As the quote suggests, the picture is about our vices and that fine line that separates the recreational from the habitual user of drugs or other toxic habits.”

When asked if he’d used drugs, partaken in bad habits and was exorcising his own demons in his work he playfully replied: ”…well, no civilised man regrets a pleasure.”

His previous painting “Ghost Gun On Canvass” was a mixture of an original poem “…about a guy that walks home one night and kills himself for no reason”, with type justified into a ghostly image of a hand holding a gun. These are also on sale in a limited number.

Whilst unconventional and highly confrontational, Ben has certainly made an impact in the art world. Many of his paintings have rumoured to have sold for six figure sums.

“To be honest, I just started doing the paintings to make a little extra cash on the side and it all just took off from there.”

Well, love him or hate him, his current work “Forbid Yourself Nothing.” is now on the market, most likely to be auctioned at Christies.

Ben is available for commissioned artwork. You can contact him on: 0401 216 199 for a no obligation meeting.

Of course, let’s hope that you, too, don’t end up in that special place in hell for naughty buyers that Ben talks about.

© 2016 Lucien Remington.

Ghost Gun by artist Benjamin Box.
Ghost Gun by artist Benjamin Box. Image © Kerrie Pacholli

And he walked home one night and calmly put a pistol to his head and pulled the trigger.

It was not a particularly bad night, not a particularly good night.

Just a night.

A night that passed slow, easy, just like most nights.

The minutes ticked as they have always ticked.

There was nothing about this night that distinguished it from any other.

The moments just washed over him as he sat oblivious on his leather stuffed couch.

It was more a spur of the moment thing rather than a planned thing.

With multiple child payments for a bunch of mollycoddled offspring.

An indifferent, money grabbing ex-wife.

Their bloated needs never satisfied by his two-bit work cube, identical to all the others on his floor.

The hopes and aspirations of his childhood, scattered in the breeze like yesterday’s news.

He hadn’t exactly set the world on fire.

In fact, he was worth more to his family dead than alive, both financially and emotionally.

Perhaps now they’d have a fighting chance.

In the beginning it had been different.

Two dimensional kids’ drawings of cross windowed houses, fluffy cats and stick figure families holding hands.

And these were the things he thought of in the second before the bullet wiped his mind clean.

© Benjamin Box

Coming Clean – Leonard Ottone

Coming Clean Leonard OttoneIn and out of juvenile detention as a youth, Leonard Ottone graduated to prison as a young man and eventually ended up in Pentridge Prison (affectionately known by some as the college of knowledge).

There he continued to access drugs and maintain his habit. With the help of the other prisoners, Leonard finally learned to read and write as he struggled to write letters home to his family…

… I spent the weekend reading your story. It was raw and confronting, but such a touching and amazing story. As young as I am, I know there’s people in the world that have never been strong enough to stick and progress with positive change like you have. i’ll never forget when Dean finished your book, the tears that rolled down his face. Tears of happiness and relief of your achievements. I couldn’t wait to read to see why he was feeling like that … Now I’ve finally read it and want to congratulate you. 

– Ella Callaway

To order your hard copy : http://www.leonardottone.com

Temperature Vermillion art gallery

Lured from a sojourn in the cool Tasmanian rain forests, national Icon and veteran art collector Barry Humphries who is lovingly known around the world as Dame Edna Everidge housewife superstar did not miss the preview launch of St Kilda’s Temperature Vermillion art gallery; created and curated by his youngest daughter artist, poet and entrepreneur Emily Humphries.

Earmarked to be one of St Kilda’s hottest and most sought after art spaces, Temperature Vermillion’s preview launch hosted the works of three unique and talented  artists, Tasmanian born photographer Lucia Rossi, Melbourne’s own painter Dylan George Statham and UK artist Jayne Wilton; whose extraordinary experimental art captures everything from cosmic rays through a diffusion cloud chamber with the aid of physicists, to making visible song breath in an installation piece soon to be mounted.

Temperature Vermillion art gallery is part of The Blue Curtain site which also host’s Hidden Mirror Art house, Salon-style Cinema soon to be officially launched.

Titled The Temporary Nature of Objects this exhibition and extraordinary avant-garde art space is a must experience for serious art collectors, artists, film buffs and the general public alike.

Temperature Vermillion is open for viewing Thursday – Saturday 1- 5 pm from 20 Nov – 20 Dec.

For viewing appointments outside of those times contact: ehumphries@temperaturevermllion.com

Exhibiting artist photographer Lucia Rossi with a piece from a limited edition purchased by Barry Humphries on the day. Image by Kerrie Pacholli © pationpics.comExhibiting artist photographer Lucia Rossi with a piece from a limited edition purchased by Barry Humphries on the day. Image by Kerrie Pacholli © pationpics.com

Barry & Emily Humphries
Barry & Emily Humphries

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America’s Historic Hotels by Collette Tours

 Collette has just announced a brand new tour offering travellers a chance to stay in some of America’s most elegant and sought-after hotels. America’s Historic Hotels is on sale now for departures from May 2017 and will feature the Boston Park Plaza Hotel, the Omni Shoreham Hotel, the Tarrytown Hotel Estate, Omni Homestead Resort, Omni Bedford Springs Resort and the Equinox Resort.

Omni Shoreham Hotel Pool
Omni Shoreham Hotel Pool built in 1930.

“We are excited to be able to offer a tour with fantastic accommodation that is so rich in American history and culture. These hotels have played host to some of the great figures of American history, so our clients are in good company!’ said Alison Mead, Collette’s Australian Business Manager.

For travellers who dream of walking in the footsteps of celebrities, world-leaders, political dignitaries and sporting legends, Collette’s America’s Historic Hotels tour is not to be missed.

Guests staying at the Omni Shoreham Hotel will be in the company of true Hollywood glamour and glitterati with past-notable guests including Judy Garland, Aretha Franklin, The Beatles and New York Yankees star and ex-lover of Marilyn Monroe, Joe Di Maggio. A true Washington landmark, the Shoreham has accommodated countless US Presidents and politicians, including Barack Obama. It was also the venue for Franklin D. Roosevelt’s first inaugural ball.

Omni Bedford Springs Resort
Omni Bedford Springs Resort

With exquisitely decorated suites, including the decadent Presidential Suite, complete with its own library, crackling fireplace, lavishly-appointed drawing room with tasselled drapes, grand master- bathroom and luxurious bedding, travellers on this tour will feel like royalty.

On day two of the itinerary travellers will discover Washington D.C. with a guided tour offering magnificent views of the White House and a visit to the World War II Memorial and the Vietnam Veterans Memorial. After a day of exploring the city’s decision-making capital, guests can relax and unwind at the 250-year-old Omni Homestead Resort in Virginia, famous for its mineral springs.

i Bedford Springs Hotel Rooms
Omni Bedford Springs Hotel Rooms

The Omni Homestead was visited by renowned US President Thomas Jefferson in 1818. Suffering from rheumatism, Jefferson found great relief in the healing properties of the natural springs, which is why they are now known as the Jefferson Pools. While staying at the Omni Homestead, guests can use their day of leisure to visit the Springs or indulge in some rejuvenation and pampering at the spa. For the more adventurous traveller, other highlights include mountain- biking and hiking around the hotel’s picturesque trails.

Tarrytown House Estate
Tarrytown House Estate built over 165 years ago.

Journeying on to Pennsylvania, travellers will stop at Fallingwater, Frank Lloyd Wright’s famous creation that is now a National Historic Landmark and an international architectural marvel, before settling into the Omni Bedford Springs Resort. The Bedford Springs property boasts eight mineral springs and has been a popular retreat for the wealthy upper echelon for many years. Built in Colonial style, this stately hotel has hosted 13 US Presidents including George W. Bush, James K. Polk and Ronald Reagan, and served as the ‘Summer White House’ for President James Buchanan during his time in office.

Tarrytown House Estate is where old worlds and new worlds crossover. With a brick facade, complete with turrets, majestic archways and chimney stacks, together with its expansive lush green lawns, the estate is reminiscent of a fairy-tale. The juxtaposition of this charming exterior and contemporary amenities like the fitness centre and outdoor tree-lined swimming pool, make the hotel serve as a virtual time machine for travellers on this tour.

During their stay at Tarrytown, guests can explore New York’s splendid Hudson River Valley, or spend their free time wandering the gardens, stopping to meet the Lady of the Estate – a friendly black Labrador brought on staff to chase the geese on the lawns.

Nestled amongst the panoramic Green Mountains of Vermont, the Equinox Resort is another highlight of the tour. Through its fusion of country charm and New England flair, the property tells the story of the changing times in American history.

Tarrytown House Estate rooms
Tarrytown House Estate rooms built over 165 years ago.

For political-history buffs, a stay at the Boston Park Plaza Hotel is ideal. The décor and architecture of the hotel has been reflected in its clientele over the years, hosting all but two US Presidents since its opening in 1927. During their stay, travellers can check out the extravagant Presidential suite, decorated in New England flair and fitted out with custom millwork cabinetry.

Regression review…

 The actors. Samatha Cunnane, Tom Reed, Tim Constantine,Jason Jefferies and director Joachim Matschoss.
L-R The actors: Samantha Cunnane, Tom Reed, Tim Constantine and Jason Jefferies. The Director: Joachim Matschoss.

Regression_web copy

…. Regression is a play written and produced by Gabriel Bergmoser from Bitten By Productions and adapted and directed by German playwright, poet and theatre-maker Joachim Matschoss from Backyard Theatre Ensemble (BYTE).

The play draws out in me words such as: Penetrating, Abstract, Deconstruct, Reconstruct, Energetic, Transmutation, Ceremonial, Inclusion, Alchemy and Harmonic co-operation. And perhaps Redemption!

Performances on opening night were polished and emotionally charged, igniting spontaneous emotional responses within me.

I was captivated, entertained and emerged with a charge of resonant inspiration…

Regression written by Gabrial Bergmoser directed by Joachim Matschoss

Funny, moving and thought provoking, Regression explores identity and nostalgia, examining the ways in which people change over time and how the past informs our present whether we want it to or not.

Written by Gabriel Bergmoser the 2015 winner of the Sir Peter Ustinov Television Scriptwriting Award and directed by internationally renowned playwright Joachim Matschoss, Regression will run for a limited season at Allpress Studio in Collingwood, from August 22- 27. With a talented cast including Tim Constantine, Jason Jeffries, Tom Reed and Samantha Cunnane and innovative use of live music and multimedia, Regression will be an immersive, exciting and original theatrical experience unlike anything else you’ll see this year.

Gabrial Bergmoser author and play writer.
Gabriel Bergmoser author and play writer.

Writer’s Notes

…The question at the heart of this play is what would happen if a deeply nostalgic person was confronted with their past as it really was, a past very different from how they remember it. If we build ourselves on the foundations of who we think we used to be, then how real are our perceptions of who we are now?

Regression is probably my most personal play, and as such figuring out how to develop it was tough. In the end, I trusted the often out-there creative vision of Joachim Matschoss and completely stepped back, knowing that a play this strange needed somebody who could take it to entirely new heights beyond what was written on the page. Knowing nothing about the shape this piece will take has been both exciting and terrifying, but I have faith in Joachim and his extremely talented cast and crew, who have had complete creative freedom over the course of this production. I want to thank them for all their hard work and ideas, and cannot wait to see how it all turned out.

 Internationally acclaimed writer, poet and director German born, Joachim Matschoss
Internationally renowned writer, poet and director German born, Joachim Matschoss

Director’s Notes

When reading Regression for the first time its simple premise excited me. What if it would be possible to meet a version of yourself? What would you say, ask?

For my interpretation of Gabriel Bergmoser’s play I wanted to ensure that the audience, by simply suspending their disbelief, would think about what they would do when meeting themselves.

Together with the ensemble of actors and the assistant director Jared Smith, I have de-constructed the piece and framed the scenes in a way that in places opposed how the playwright had placed them within the script.

Regression takes precision in terms of the balance and tone of the piece. Too much of either sentimentality or melodrama would topple this play and make the audience members ‘turn off’. I believe the deconstructing of scenes allows the audience to view some of the scenes analytically. Deconstruction also allows the director to clearly imbue their perspective throughout the play. On the page this is a realistic piece but I strongly felt it needed non-naturalistic elements to increase its theatricality, hence we have added stylised movement, projection and the constant non-verbal presence of the characters throughout the piece as well a strong aspects of sound. Comedy and drama go hand in hand. When the audience go with the comedy, they settle and are very comfortable, which allows their guard to ‘come down’. Once their guard has been allowed to drop, they are more open to being moved when the dramatic, sad, disturbing and challenging moments are played out. The work of acclaimed British company ‘Frantic Assembly’ influenced some moments of this production of Regression.

 

Robert Mate Mate and Reconciliation

For a number of years  I had the privilege of working  with Robert Mate Mate, an Indigenous elder from Woorabinda with strong connections to Palm Island.

Our creative journey started in 1993 when Robert invited me to accompany him to Palm Island,  a closed Indigenous community 57 km off the coast of Townsville.

He was invited to attend an official celebration on Palm Island for the Year of Reconciliation which was also attended by Robert Tickner the Indigenous Affairs minister at that time.

Behind the scenes Robert Mate Mate was also invited to perform a spirit releasing ceremony for a young Palm Islander named Wangung who died 120 years prior. and who’s remains had been returned to his place of birth.

In the 1890’s Wangung was lured away  and made to perform in a travelling circus. His remains were discovered in Cleveland, Ohio.

Our party consisted of Robert, myself, his 11 year old son Free and Dalmazio Babare who was then percussionist with the MSO. We stayed on the beach of Mundi Bay, a remote and uninhabited part of the Island where Wangung grew up.  It was a magnificent and powerful place and the experience was very transformative.

In 1994 – 95 under the working title “Woorabinda Berrigaba Dreamtime Aboriginal Productions”, Robert and I went on to produced three cultural theatre productions that combined story telling and myths with music and dance.

A number of  years prior to 1993,  Robert Mate Mate was released from prison where he had spent over 15 years behind bars, 10 years in the cages of Queensland’[s notorious Boggo Road prison. 

During his incarceration the Aboriginal myths and stories he learnt as a child led him to  study genealogy, Greek mythology, Druidism,  Astronomy, Carl Jung and the Bible.

At the end of his life aged 42, Robert Mate Mate was an accomplished  storyteller, teacher and messenger with an enormous capacity to inspire and educate people from all cultures.

In memory and celebration of Robert Mate Mate also know as Gapingaru (crescent moon).

Robert Mate Mate at Theatre Works in St Kilda as part of his first theatre production 'Tirlpa'. Photo by Russell Cooper
Robert Mate Mate at Theatre Works in St Kilda as part of his first theatre production ‘Tirlpa’. Photo by Russell Cooper.