I had the opportunity of filming a live to air interview at 3CR between Blues journalist / presenter Werner Martin and visiting Blues legend Ivan Zar.
Ivan painted a picture through word and song about his experiences touring indigenous communities throughout the Kimberley over a 20 year period. Fascinating to say the least. And I will present that footage in the not too distant future for your viewing pleasure.
In the interim, I would like to inform our readers about some gigs that are coming up later this week where you can catch Blues legend Ivan Zar performing with Melbourne sensation Ezra Lee.
COMING GIGS: Ezra Lee & Rocking Ray with special guest Blues legend Ivan Zar
Feverstone is Renn Barker, retired salvage diver, co-founder of bands Bloom and Screwtape, White Gloves Film Festival Director and word spinner – and John Philips, co-founder of Not Drowning Waving, acclaimed film and TV soundtrack composer and sonic wizard.
Trewlea Peters – Director of Summonings Marian Webb – Director of Possessionings Loki – Sonic warlock Greg Bead – Electrical Manipulatiste Eve Gilbert – Mise-en-scène rapporteur Tania Smith – Apparition de la Bearbrass Isabelle Bertoli – Apparition EmilyHumphries – Apparition Janet Watson Kruze – Apparition
Max Stephens – Apparition
Tatiana Doroschenko –Guest apparition & Séance Chatelaine Ian Buckland – Consulting magician Juliet Foss – Consulting composer RMIT School of Media and Communications – Technological support
The first two decades of the last century were charged by a terrible war driven by new technologies, lost and curious souls seeking others through spiritualism and the electrification of cities like the energetic Edwardian metropolis of Bearbrass on the banks of the Yarra River by Phillip’s Port.
For one waxing gibbous night, electrical explorers Feverstone (with special guest apparitions) will summon the spirits of Bearbrass from then to now, employing sounds, visions and patented electrical apparatus.
We arrived at White Night Festival in Melbourne proper at the sensible hour of 9 pm.
Our intention was to start our journey at the Exhibition Building, moving on to the State Library for the Indigenous doings and finally landing under Princes Bridge to experience John Phillips and Renn Barkers Electroplasm which was earmarked as a must see by Festival promotors.
Due to the overwhelming crowds and queues our first two destinations were aborted. We did manage to cut our way to Electroplasm which was so spectacular and awe inspiring that I will cover it in another post.
The following images reflect our passing view on our journey through the city.
Perth based Delta Blues legend Ivan Zar is back in Melbourne playing the circuit and as always keen to meet new people.
His first jamming and recording session was at Paulie Bignell’s Hailstone Studio by invitation from Southern FM presenter Frances Fairhall, who is currently producing a second album for Women in Blues.
A huge fan and mentor of up and coming artists, Ivan was rapt to be performing with multi talented blues singer / songwriter Rhiannon Simpson.
St Kilda seems to have it all, spectacular sunsets and beach side boardwalks. A rich history of vice and crime, art and culture. Trams that connect to the four corners of Melbourne and beyond. Palm trees, parks, lots of heritage buildings, three outstanding theatres as well as eateries, pubs and bars that play live music to a reasonable hour.
Why has the centre of Fitzroy Street turned into a tumbleweed zone? No one seems to be able to pinpoint the answer to that.
Legend has it that when the artists colony that was Chronicles Bookshop was unceremoniously closed down due to relentless external pressure for dubious and nebulous reasons Fitzroy’s street’s soul had been ripped out.
Or when the toilet block was demolished in what was nationally known by the indigenous community as Koori Park a spookily vacuous and resonating effect was left on the street. Who knows for sure?
What we do know is that the culmination of many quickly imposed plans devised to reinvigorate Fitzroy St. have predominantly failed.
Sadly, despite heavy investiture the area still has issues. Many people including local and state governments are looking to local Arts & Culture as a potential remedy..
I asked local St Kilda resident, mentor, writer and visual artist, Emily Humphries to comment on how the area and local Art and Artists might be able to lend a hand, and if she has any insight into a problem that many wealthy residents and investors have failed to solve. This is what she said.
…“ When Dolores San Miguel opened the doors of the Crystal Ballroom in 1978 it dragged St Kilda groaning and kicking from its post war malaise as Melbourne youth awoke with a yelp. What had once been the terrain of wealthy seaside residents, the area that spans from the juncture of Barkley St and Alma Rd. was held high with grand mansions, which scattered like in any European seaside town, over the hill and down to the sea.
The Ballroom was a cultural incarnation of what had been a once vibrant area, yet with quite another face and sadly Melbourne failed to truly celebrate the relevance or recognize quite the qualities of the power house of talent destined to largely desert not just St Kilda, but our shores. Thus there is no real mystery to its decline.
A failure to support or invest in the arts and artists is deadly. There is the organic folding process of any place or thing as it reshapes into another, as a fairly natural phenomenon. St Kilda has never really reformed since the late 80’s and since the large flight of junkies and drug culture to the North of the river there has been a slow process to rocked St Kilda’s heart.
St Kilda is loaded with potential however sometimes the grander enterprises spit people back onto the street with their exclusivity and frosted windows. The general public walk by with nothing much to grasp onto. Where is the soul in this?
The recent rise of the St Kilda Art Crawl in the city of Port Phillip was a really exciting thing. Despite our craft run along the Esplanade there is a chance here to bring back some of the vitality St Kilda now lacks. Why, because it brings a focus back to the expressive, the ‘street tongue’. If you want the street to resound you need to give it a voice and how better to do it than to support and invest in those who make the area their dialogue not just their economy. I really believe it is in the interest of the local businesses to invest in those who make a kind of “noise” about and around them.
There is a reflective quality to the neglect we have given our artists being played out in our deadly streetscape. We have Rowland Howard Lane but where is Rowland Howard? Despite being one of our precious jewels of cultural input Rowland died way too young and although some point the finger at a kind of lifestyle, artists very often have little choice in how they live as they medicate to navigate a culture which undervalues and fails to support them financially or even expressively.
Often our greatest talents end up in housing commissions on disability pensions or are forced to be educators. Without the support or security to simply weave their magic alight and contribute en force, artists in this country are robbed of their esteem by a culture which puts too much emphasis on convention and economic prowess.
I believe, with all my heart, that local business would benefit by investing in local Art & Culture artists that live in every St Kilda block, our heritage alive yet buried,
If we bring in some respect, some heart back into the heart beat of our culture of our area the vigor will return and our street and geography will not be left desolate and reflecting a kind of grief that no end of designer shops or fancy restaurants can stuff”…