Tag Archives: Tommy Langra

Aliya Kanani at Coopers Inn MICF 2019

Review by Tommy Langra

It was late the night before when my editor, Kerrie Pacholli asked if I could take two tickets and write a short review for Aliya Kanani show at Coopers Inn which is part of the Melbourne International Comedy Festival 2019. As I am never one to turn down tickets to a free show, I happily said yes. Without any knowledge of who i may be seeing, or what may be involved, i approached the show with no small amount of trepidation, worried that the title ‘So where are you from, from?’ may leave me in a lurch about some deep political ‘comedy’.

Aliya Kanani performing at Coopers Inn as part of MICF 2019

Arriving at the Coopers Inn didn’t inspire an overt amount of hope, as after work city people crowded the blue stone sports bar which had on its main screen the American baseball, which, if nothing else, let everyone know they were in for something a bit different.

Aliya, however, was exuberant and… well… funny. A fresh view on the world through – what she termed – a feminine, slightly narcissistic, chronic liar’s interpretation which left scope for a large amount of audience interaction. Those from the passenger seating that volunteered.

The show covers everything from high school to travels in Indonesia, touching on the importance of spirituality for some local tribal members, yet doesn’t avert from some important message of the interconnectedness of people, no matter their race or creed. Aliya stated after the show that she was “concerned with the value of the question of where we are from, instead of asking ‘who’ we are?”

This coupled with the message in the show of rising above challenges, through the use of comedy, and a spare dose of secondary trauma.

Yet don’t despair if you think this sounds like too much material from foreign escapades, exotic places, and the one time Brazilian Aliya, she quite seamlessly approaches the local climate and context of Melbourne itself, and the value of learning Australian as a second language (in her case, seventh).

An important part of the show and something not to overlook is the improvisation of audience participation, an excellent display of Aliya’s capacity to think quickly on her feet, proving her capacity to talk herself out of any situation… leaving us smiling as she does so.

Aliya Kanani at Coopers Inn, 282 Exhibition Street, Melbourne

Thomas Barker presenting ‘Queen of the South’

Multicultural Suburbia Exegesis

I first met Thomas Barker during the second St Kilda Arts Alive art crawl in May 2018. I’ve also interviewed him for a newspaper article that I write. I have discovered that Thomas is a committed artist who has an insatiable thirst for knowledge and how to use that knowledge for the betterment of the Planet.  I managed to catch up with Tom during the third art crawl in September 2018 and this is what he has to say.

Thomas Barker (Tommy Langra) exhibiting at 33 Fitzroy Street, St Kilda during May 2018 Art Crawl.
Thomas Barker (Tommy Langra) exhibiting at 33 Fitzroy Street, St Kilda during May 2018 Art Crawl image by Michael Kluge

…Standard Australian suburban housing has underrepresented the influx of recent migrants to Australia since the relaxing of the immigration policy in the 1970’s. Single separate dwelling represents a large portion of residential housing within Australia. There is no physical evidence that builders make any considerable effort to design for these ‘minority’ groups. High rise construction has proven an inadequate alternative. This research hopes to glean; aesthetic, planning, and social hierarchy lessons evident within the vernacular of major recent migrant groups, then to identify plausible design outcomes for Melbourne suburbia if the origin-vernacular of these groups had been used to inspire the urban landscape. This research will take a selection of recent migrant cultures, explore their traditional dwellings, urban fabric, and propose an appropriate vernacular.

By Thomas Barker

 

GAS (Grid Art Space) presents

Hedron Resurrection by Calthestoner image by Michael Kluge
Hedron Resurrection by Calthestoner image by Michael Kluge

GAS (Grid Art Space) presents the second art exhibition at Punchinello Pop-Up at 33 Fitzroy Street, St Kilda as part of the May 2018 St Kilda Art Crawl.

Contributing artists include Adrian Spurr, Salvatori Lolicato, Geoffrey Hales, Tommy Langra, Calthestoner, Michael Kluge and Marko Maglaic.

 

Geoffrey Hales artist
Geoffrey Hales artist image by Michael Kluge
Unreal Flowers July 2017 by Michael Kluge
Unreal Flowers July 2017 by Michael Kluge
Handsome Man by Adrian Spurr image by Michael Kluge
Handsome Man by Adrian Spurr image by Michael Kluge
Untitled by Marko Maglaic image by Michael Kluge
Untitled by Marko Maglaic image by Michael Kluge

PUFFS opening night at The Alex Theatre

images & text by Kerrie Pacholli © pationpics.com

Opening night of PUFFS at the Alex Theatre was a roaring success with a full house of Potter enthusiasts and a red carpet soiree that attracted Melbourne’s stalwart theatre buffs.

Among the many dignitaries to attend where Master printmaker and sculptor Adrian Spurr who currently has works in the piano room of The Alex Theatre for the duration of the PUFFS session, as well as artist Tommy Langra who has been exhibiting his works at Punchinello Pop-Up at 33 Fitzroy St, St Kilda.

Artist's Tommy Langra, Susan Popov & Adrian Spurr image by Kerrie Pacholli © pationpics.com
Artist’s Tommy Langra, Susan Popov & Adrian Spurr 
Host Alex Vass with resident artist Adrian Spurr
Heidi Victoria, Alex Theatre Aleks Vass with resident artist Adrian Spurr
Artist Emily Jane Pappas with local identity Freddie Warschauer image by Kerrie Pacholli © pationpics.com
Artist Emily Jane Pappas with local identity Freddie Warschauer
Shooters Jim Lee, Matt Doller & the man with the moves Sam Tabone
Shooters Jim Lee, Matt Doller & the man with the moves Sam Tabone

 

 

Pop-Up Art Gallery in the middle of Fitzroy Street St Kilda

Known as Punchinello Pop-Up  this extraordinary gallery will remain open till Sunday 3 June from 12 – 7.30pm.

Photographs Michael Kluge, text Kerrie Pacholli

With 23 empty shops along Fitzroy Street St Kilda waiting to be rented, there has been much debate in state and local government, as well as among property developers and on the streets, as to why Fitzroy Street; from Grey Street down to the beach has become a tumble-weed zone.

Mobile artist Tommy Langra working at his draughtsman buggy image © Michael KlugeMobile artist Tommy Langra working at his draughtsman buggy 

Inspired by the May St Kilda Art Crawl and with assistance from owners of 33 Fitzroy Street, Jenny Li and husband Rob Semple, GRID ART SPACE (GAS) organized a group of local artists to join forces.  The result is an outstanding high-end pop-up art gallery in the middle of this neglected zone, to show what can be done with talent and teamwork.

Adrian Spurr. The second manifestation of Zeus, 'The Pariah', Sandstone, Steel table and Chariot wheels, 2018.
Adrian Spurr. The second manifestation of Zeus, ‘The Pariah’, Sandstone, Steel table and Chariot wheels, 2018.

This is the second time GRID ART SPACE in association with St Kilda Art Crawl hosted a pop-up art gallery in that space. GAS is a collaboration between Shakespeare Grove artist Adrian Spurr and producer / publicist Kerrie Pacholli with the aim to fill empty spaces with art and culture to bring about growth.

Hedron Resurrection by Cal the Stoner image © Michael KlugeHedron Resurrection by Cal the Stoner image © Michael Kluge

With encouraging sales on both occasions, the organizers received much praise from delighted visitors with encouragement to keep it open. But this of course can only happen with the community support of both local and state government.

65 Skull Series by Marko Maglaic image © Michael Kluge
65 Skull Series by Marko Maglaic image © Michael Kluge

With the debate still open most would agree that this collaborative artistic and cultural inclusion added much needed prestige to an otherwise depressed local economy.

Ceramics by Salvatori Lolicato image © Michael KlugeCeramics by Salvatori Lolicato image © Michael Kluge

Exhibiting artists include: Master printmaker and sculptor Adrian Spurr, ceramicist Salvatori Lolicato, photographer Michael Kluge, painters’ Tommy Langra and Marko Maglaic.

Images of Port Phillip by Michael Kluge
Images of Port Phillip by Michael Kluge
Punchinello Pop-Up presented by Grid Art Space
Punchinello Pop-Up presented by Grid Art Space

GAS EXHIBITIONS – FITZROY STREET, ST KILDA 25, 26 & 27 MAY

During this St Kilda Art Crawl May 25, 26 & 27 starting from 10am GAS will be working in collaboration to showcase the works of sculptures, painters, photographers, filmmakers and local businesses in Fitzroy Street.  Artists include:

The Alex Theatre – Level 1/ 135 Ftzroy Stree, St Kilda an exhibition by Sculptor Adrian Spurr and Stonemason Calthestoner

At Punchinello Pop-Up – 33 Fitzroy Street St Kilda – Master printmaker & sculptor Adrian Spurr, Stonemason Calthestoner, Salvatori Lolicato with ceramics. Photographer Michael Kluge, painter & poet Tommy Langra and painter & curator Marko Maglaic.

The Linden Tree – 11 Fitzroy Street, St Kilda – exhibits by Emily Humphries and Calthestoner

St Luja – 9 Fitzroy Street, St Kilda a pop-up poetry event featuring Marian Webb, Hamish Danks Brown, Yoram Symons & singer Lisa Wood

HQ Gallery and Bar  – 7 Fitzroy Street, St Kilda – A collective Aboriginal exhibition featuring Pop Indigineous artist Dino Damiani

For more details on the Crawl go to  Map Download

Tommy Langra artist, poet and mystic…

image & test by Kerrie Pacholli

Artist Tommy Langra image by Kerrie Pacholli © pationpics.com
Artist Tommy Langra 

St Kilda Artist Thomas J. Barker-Webb, also professionally known as Tommy Langra and Tomb was born into a loving home where formal education mattered.

At the age of 4, upon reading a library book introduced to him by his mother referencing the mystical powers of Buddhist meditation Tom became hooked on the world of the unseen. From that point he continues to be a voracious reader and his quest for knowledge and inspiration remain paramount.

By the age of 8 he is reading books assigned to 20 year olds. Needless to say the authorities determined that Tomb, as he would sign his Art from an early age, was deemed an above average intelligence.

With the support of his loving family, his diet of books, his formal education at Scotch College, Geelong Grammar and Deakin University where Tom completed a Masters Degree in Architecture, he was earmarked for ‘old school’ success. After working as a draftsman in tandem with his studies and then professionally for 4 years after graduation a total of 10 years, Tom was advancing in his professional popularity and his 6 figure career.

Some would call it self-sabotage, others would call it artistic liberation that a number of years ago Thomas decided to live the road less travelled and leave his Architectural career to be the quintessential grass roots, street artist / vendor. A lifestyle, from my view, that is not for the faint hearted.

After such an investment in your Architectual career why did you put it on the back burner?

I simply didn’t have the energy to work on all the creative agenda that I had set myself. The more I was surrounded by regular office culture, I invested less in my productive self, and the more I behaved like a regular 9-5er.

I simply couldn’t face being in front of a computer day in day out. I had become an architect in order to draw – with a set of manual tools, the industry doesn’t support that as much as it used to.

Tell us what you love about your current lifestyle and artistic expression?

Whenever I think ‘oh maybe I should get a desk job and earn some money’ I look at what I’m doing and I can’t help myself but pick up my drawing utensil and keep going.

It’s extreme; it’s exhausting, mentally and physically and I love that, it tests my capacity as an individual to the limits. I draw non-stop all day in all weather conditions from gale force winds to 45+ degree days. What I work on is as important if not more than how I would work in professional practice. It requires all the same problem solving skills – and more because of the conditions!

How does your robust formal education assist you on your current journey?

Good question. I apply all my studies to the task: from research and essay writing, to woodwork, to physics, to architectural contracts.

By Tommy Langra photo © pationpics.com
By Tommy Langra 

At the end of the day, what we produce is only a display of our own conceptual understanding. Our desires and our distastes: the effort and patience, the diligence that we apply ourselves to them. The more that we nourish them and test them, the wealthier, richer and more resilient the outcome, both to our own selves yet also to the questioning minds of others.

The better the sources that we rely on, the less arguable is the notion, as the soil that nourished; has stood firm through human history.

“An educated person’s ideas of Art are drawn naturally from what Art has been, whereas the new work of art is beautiful by being what Art has never been… A temperament capable of receiving, through an imaginative medium, and under imaginative conditions, new and beautiful impressions, is the only temperament that can appreciate a work of art.” Oscar Wilde

Every day except Sunday Tommy Langra of ArchAngle Studios rides his self modified bike and homemade draftsman cart from St Kilda to his current post at the front of Hamer Hall at the Art Centre.

You will also have the opportunity to meet this extraordinary artist at Punchinello Pop Up 33 Fitzroy Street during this forthcoming St Kilda Art Crawl on the 25, 26, 27 May 2018. Stay tuned…